IT'S THE ECONOMY, STUPID!

AWARDS:

Winner: Best Actor - DarkChat Edinburgh Awards

Winner: Best Supporting Actor - DarkChat Edinburgh Awards

Nominated: Best Show; Special Award (Magic); Best Script; Best Director - DarkChat Edinburgh Awards

REVIEWS:

‘IT MIGHT JUST BE WHAT WE NEED RIGHT NOW…’

The Times

‘AN EFFECTIVE DOUBLE ACT…BOTH BRING INTELLIGENCE AND CHARISMA’

Arifa Akbar, The Guardian

‘very funny, poignant, expertly delivered…catch it while you can!’

★★★★ Broadway Baby

‘THIS SHOW ACHIEVES THE IMPOSSIBLE’
★★★★ Playbill

‘BRILLIANT AND PASSIONATE’

★★★★★ City Girl Network

‘EXTRAORDINARY’

★★★★★ Adventures In Theatreland

 

FANBOY

AWARDS:

WINNER: Best Director, Darkchat Edinburgh Awards 2022

SHORTLISTED: Holden Street Theatre Awards 2022

 

REVIEWS:

‘COMPLEX AND VERY MOVING.’

★★★★ The Scotsman

'A MUST SEE PIECE, FOCUSED ON NOSTALGIA, POP-CULTURE, AND THE STATE OF OUR WORLD.'

★★★★★ Three Weeks

'WE’VE SEEN MANY ‘GEEK INSPIRED’ STAGE SHOWS, BUT THIS IS THE FINEST WE’VE SEEN.'

★★★★★ Starburst Magazine

‘IT'S A FASCINATING PIECE…FULL OF SURPRISES’
★★★★★ Broadway Baby

 

LABELS

Lables

AWARDS: 

Winner: Scotsman Fringe First Award 2015

Winner: Holden Street Theatres Edinburgh Award 2015

Winner: Best Theatre, Adelaide Fringe 2016 (Week 2)

Winner: Peace Foundation Award 2016

Winner: VAULT Festival 2017

Shortlisted: Amnesty International Freedom of Expression Award

Shortlisted: Fringeworld Theatre Award, Perth

Shortlisted: Asian Arts Award 2016

Top 20 Edinburgh Shows 2015: The List

 

REVIEWS:

★★★★★ British Theatre Guide

★★★★★ Broadway Baby

★★★★★ Three Weeks

★★★★★ Everything Theatre

★★★★★ The Upcoming

★★★★★ My Theatre Mates

★★★★★ Edinburgh Evening News

★★★★★ Sunday Mail

★★★★★ Perth Now

★★★★ 1/2 The Advertiser

★★★★ 1/2 Reviews Hub

★★★★ 1/2 Glam Adelaide

★★★★ West End Wilma

★★★★ Whats On Stage

★★★★ In Daily

★★★★ Great Scott Media

★★★★ The Scotsman

★★★★ The List

★★★★ Edinburgh Spotlight

 

MONSTER

photo: Ben Borley

photo: Ben Borley

REVIEWS:

★★★★  A Younger Theatre

“… original and ambitious … takes hold of its audience in the first lines, and does not lose its grip until lights are out…”

★★★★ Edinburgh Festivals Magazine

“striking in its exploration of an important issue…putting across an important message…”

★★★★ The Stage

“Brimming with earnest, intelligent energy…”

★★★★ The Scotsman

“Intelligent and quizzical…gnaws away at an unknowable question…”

★★★★ Broadway Baby

“Sellman-Leava commands the space well…weaving in and out of di erent personas…”

★★★★ Fest

“Magnetic performance…”

 

HOW TO START A RIOT

REVIEWS:

The Stage
Must See…
“explode our personal misconceptions of what a riot really is”

Fringe Review★★★★★
“the ability of these performers is boundless”

Broadway Baby★★★★★
“professionally stunning, this production shows there might be a better way to think about things.”

Fringe Guru★★★★
“How to Start a Riot will shake you into rethinking any hastily formed opinions you may have harboured since the events of last year”

The List★★★
“The real beauty of How to Start a Riot is watching that embryonic thought
process unfurl itself: a young brain starting to fizz with questions and inceptive ideas.”

The Scotsman★★★
“When there have  been so many attempts to establish the cause of the London
 riots by interviewing a small selection of individuals who took part in them, it’s refreshing to find a play that looks at the wider picture”